MAD MEN'S AWARD-WINNING SET DESIGN
Via.Interiordesign
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| A custom Florence Knoll–style sofa and matching chair anchor the account-executive lounge at the agency. Photography by Eric Laigne |
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| The bungalow was based on an actual L.A. house. Photography by Eric Laignel. |
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| Photography by Eric Laignel. |
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| Paneling in the reception area imitates walnut. Photography by Eric Laignel. |
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| In the bungalow kitchen, a vintage refrigerator stands next to a rare 36-inch stove. Photography by Eric Laignel. |
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| Photography by Eric Laignel. |
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| New teak veneer tops the vintage table in the conference room. Photography by Eric Laignel. |
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| One of the agency’s stairway sets was designed specifically for shots upward. Photography by Eric Laignel. |
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Bar stools by Erik Buch line the counter of the Drapers’ kitchen.
Photography by Eric Laignel.
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| Its color palette is intended as a counterpoint to the hard lines of the architecture. Photography by Eric Laignel. |
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| The storefront system essentially replicates the Time & Life Building’s. Photography by Eric Laignel. |
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| Photography by Eric Laignel. |
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| Photography by Eric Laignel. |
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| A licensed copy of a Mark Rothko painting hangs in Bert Cooper’s office. Photography by Eric Laignel. |
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| Paul Williams’s L.A. headquarters for MCA, 1939, inspired the agency’s new satellite office. Photography by Eric Laignel. |
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| Photography by Eric Laignel. |
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| Custom cabinetry in the Drapers’ bedroom is walnut. Photography by Eric Laignel. |
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| Magazines that the ad men use for research. Photography by Eric Laignel. |
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| Chaough’s office’s ’60’s-esque wallpaper. Photography by Eric Laignel. |
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